The aim is to create a space embodying weaving’s cyclical nature, interweaving local Indigenous communities, artists, and visitors into a network of learning, connection, and shared experience.

Weaving Symbiosis

Cyanotype Isometric Collage

Living Archive of Auburn

Daytime axonometric drawing.

Queer Protest Space

Entry Render

Bloom Well

This image shows Craft in play. The gallery/shop sits in Country. Screen walls using recycled oysters from site connect the building to Country in a meaningful and sustainable way.

CRAFT

1-200 Model of Urban Square

Common Grounds

Alexandra Courtney, Madeleine Gallagher

Architecture as a vessel to facilitate mental healing process

Escape and Retreat

Manmeet Kaur Thandhi, Thaw Tar Lin

Compiled Sketches from Project.

Yangga Djirawara; A gateway to the Bundian Way

Wes Anderson-style facade render for an Aviation Museum in Gerroa, NSW. This is the second rest stop of the fictional film titled: "The Highway Orcinus."

The Highway Orcinus

Emma Balogh-Caristo

The Monsters’ role is a mockery, an ironic imitation of the practice of “the colonizer, the officer, the exploiter, the administrator…
obsessed with obtaining ‘total access to’ the desert. Given that such totality is not possible, the desert is occupied,
militarized, conceptualized, capitalized, transformed, or destroyed.” 13 In this manner, the harvesting parade is not one that
collect exhausted or fossilized ruins, but a forced epistemic interruption that declares immediate dysfunction and ending

Necropolis, Nomads, Extractions

Howard Zhao, Delos He, Rei Sakurai

of 5 pages